

Charles Pollock was born in 1902 in Denver, Colorado. The eldest of his siblings, he spent his childhood between Colorado, Wyoming, Arizona, and California. In 1922, he moved to Los Angeles, where he worked at the Los Angeles Times while studying art at the Otis Art Institute. It was during this period that he developed a strong interest in Mexican artists, particularly the muralists such as Orozco and Rivera. He left Los Angeles in 1926 to continue his studies in New York with Thomas Hart Benton at the Art Students…
Charles Pollock was born in 1902 in Denver, Colorado. The eldest of his siblings, he spent his childhood between Colorado, Wyoming, Arizona, and California. In 1922, he moved to Los Angeles, where he worked at the Los Angeles Times while studying art at the Otis Art Institute. It was during this period that he developed a strong interest in Mexican artists, particularly the muralists such as Orozco and Rivera. He left Los Angeles in 1926 to continue his studies in New York with Thomas Hart Benton at the Art Students League.
In 1935, he settled in Washington to work for the Resettlement Administration, a federal agency, and collaborated on Charles Seeger’s song-sheet project. Two years later, he left Washington for Detroit and became a political cartoonist for the United Automobile Workers union newspaper. From 1938 to 1942, he served as Supervisor of Murals and Graphic Arts for the Federal Art Project. After completing a mural commission for the University of Michigan, he joined the university’s Department of Fine Arts, where he taught printmaking, calligraphy, and graphic design for more than twenty years.
In 1945, he spent three months painting and drawing in the Arizona desert, a period during which he abandoned social realism and began his abstract work. He took two sabbaticals: the first in 1955 on the shores of Lake Chapala, and the second in 1962, when he traveled in Europe with Sylvia Winter, his future wife. In 1967, Pollock retired from teaching and moved with his family to New York, where he continued painting. In 1971, he relocated to Paris with his wife and his daughter Francesca, remaining there until his death in 1988.
Charles Pollock’s work reflects a continuous pictorial inquiry built on observation, rigor, and time. Initially influenced by calligraphy, he approached painting as a language constructed from line and color. His compositions rest on precise structures in which the balance between form and void, rhythm and silence, plays a central role. As he gradually moved away from social realism, he explored the abstract dimension of gesture and chromatic fields, favoring an analytical approach to the relationship between color and space. In his later years, he simplified his visual vocabulary, reducing elements to their essence to create a purified, almost meditative painting in which each mark becomes both sign and thought.
Charles Pollock – Un Américain à Paris, Galerie ETC, Paris (October 5 – November 30)
Charles Pollock- Un siècle américain, Galerie ETC, Paris (October 7 – December 17)
Charles Pollock, FRAC Auvergne, Clermont-Ferrand (May 20 – September 18)
Charles Pollock – Color Field 1967-70, Galerie ETC, Paris, France (October 8 – February 28, 2021)
Charles Pollock, Galerie ETC, Paris, France (October 10 – December 1)
Charles Pollock in the 1960s, Butler Institute of America Art, Youngstown (September 11 – November 20)
Charles Pollock. A retrospective, Collection Peggy Guggenheim, Venise (April 23 – September 14)
Charles Pollock Armory Show, ADAA, Parl Avenue Armory. Jason McCoy Inc., New York (February)
Paintings and drawings from the 50s, American Contemporary Art Gallery, Munich
The Chapala Series, 1955-1956, Jason McCoy Inc., New York (March 8 – April 21)
Charles Pollock. A retrospective, Ball State University Museum, Muncie (January 19 – March 9)
The Rome Series, Jason McCoy Inc., New York
Charles Pollock – Recent paintings, Dimock Gallery, Washington, D.C. (December 13 – January 11, 1985)
Gertrude Kasle Gallery, Detroit
Henri Gallery, Washington D.C.
Kresge Art Center, Michigan State University, East Lansing, Michigan, USA
Galeria Pogliani, Rome
Literature & Fine Arts Gallery, Michigan State College, East Lansing, Michigan
Circle Gallery, Detroit, Michigan (sous le nom de « Charles Pima »)
Ferargil Gallery, New York
On paper, Galerie ETC, Paris (March 19 – April 30)
Charles and Jackson Pollock, The Society of the Four Arts, Palm Beach (January 30 – March 28)
Charles Pollock. Modernism in the Making, MSU Broad Art Museum, East Lansing (August 21 – December 30)
Abstractions américaines, Espace d’art contemporain Fernet-Branca, Saint-Louis (June 2 – September 22)
Great Moderns. Peggy Guggenheim Collection, Venice Art of the Twentieth Century, Centro Cultural Palacio La Moneda, Santiago (October 31 – February 26, 2013)
Peggy Guggenheim and the New American Painting, Arca, Vercelli (November 21 – March 1st, 2009)
Color and Field, 1890-1970, Albright-Knox Art Gallery, Buffalo (September 15 – November 1st) ; Dayton Art Institute, Dayton (November 20 – 10 January, 1971) ; Cleveland Museum of Art, Cleveland (February 4 – March 28, 1971)
30th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington D.C (February 24 – April 19)
Charles Pollock was born in 1902 in Denver, Colorado. The eldest of his siblings, he spent his childhood between Colorado, Wyoming, Arizona, and California. In 1922, he moved to Los Angeles, where he worked at the Los Angeles Times while studying art at the Otis Art Institute. It was during this period that he developed a strong interest in Mexican artists, particularly the muralists such as Orozco and Rivera. He left Los Angeles in 1926 to continue his studies in New York with Thomas Hart Benton at the Art Students League.
In 1935, he settled in Washington to work for the Resettlement Administration, a federal agency, and collaborated on Charles Seeger’s song-sheet project. Two years later, he left Washington for Detroit and became a political cartoonist for the United Automobile Workers union newspaper. From 1938 to 1942, he served as Supervisor of Murals and Graphic Arts for the Federal Art Project. After completing a mural commission for the University of Michigan, he joined the university’s Department of Fine Arts, where he taught printmaking, calligraphy, and graphic design for more than twenty years.
In 1945, he spent three months painting and drawing in the Arizona desert, a period during which he abandoned social realism and began his abstract work. He took two sabbaticals: the first in 1955 on the shores of Lake Chapala, and the second in 1962, when he traveled in Europe with Sylvia Winter, his future wife. In 1967, Pollock retired from teaching and moved with his family to New York, where he continued painting. In 1971, he relocated to Paris with his wife and his daughter Francesca, remaining there until his death in 1988.
Charles Pollock’s work reflects a continuous pictorial inquiry built on observation, rigor, and time. Initially influenced by calligraphy, he approached painting as a language constructed from line and color. His compositions rest on precise structures in which the balance between form and void, rhythm and silence, plays a central role. As he gradually moved away from social realism, he explored the abstract dimension of gesture and chromatic fields, favoring an analytical approach to the relationship between color and space. In his later years, he simplified his visual vocabulary, reducing elements to their essence to create a purified, almost meditative painting in which each mark becomes both sign and thought.
Charles Pollock – Un Américain à Paris, Galerie ETC, Paris (October 5 – November 30)
Charles Pollock- Un siècle américain, Galerie ETC, Paris (October 7 – December 17)
Charles Pollock, FRAC Auvergne, Clermont-Ferrand (May 20 – September 18)
Charles Pollock – Color Field 1967-70, Galerie ETC, Paris, France (October 8 – February 28, 2021)
Charles Pollock, Galerie ETC, Paris, France (October 10 – December 1)
Charles Pollock in the 1960s, Butler Institute of America Art, Youngstown (September 11 – November 20)
Charles Pollock. A retrospective, Collection Peggy Guggenheim, Venise (April 23 – September 14)
Charles Pollock Armory Show, ADAA, Parl Avenue Armory. Jason McCoy Inc., New York (February)
Paintings and drawings from the 50s, American Contemporary Art Gallery, Munich
The Chapala Series, 1955-1956, Jason McCoy Inc., New York (March 8 – April 21)
Charles Pollock. A retrospective, Ball State University Museum, Muncie (January 19 – March 9)
The Rome Series, Jason McCoy Inc., New York
Charles Pollock – Recent paintings, Dimock Gallery, Washington, D.C. (December 13 – January 11, 1985)
Gertrude Kasle Gallery, Detroit
Henri Gallery, Washington D.C.
Kresge Art Center, Michigan State University, East Lansing, Michigan, USA
Galeria Pogliani, Rome
Literature & Fine Arts Gallery, Michigan State College, East Lansing, Michigan
Circle Gallery, Detroit, Michigan (sous le nom de « Charles Pima »)
Ferargil Gallery, New York
On paper, Galerie ETC, Paris (March 19 – April 30)
Charles and Jackson Pollock, The Society of the Four Arts, Palm Beach (January 30 – March 28)
Charles Pollock. Modernism in the Making, MSU Broad Art Museum, East Lansing (August 21 – December 30)
Abstractions américaines, Espace d’art contemporain Fernet-Branca, Saint-Louis (June 2 – September 22)
Great Moderns. Peggy Guggenheim Collection, Venice Art of the Twentieth Century, Centro Cultural Palacio La Moneda, Santiago (October 31 – February 26, 2013)
Peggy Guggenheim and the New American Painting, Arca, Vercelli (November 21 – March 1st, 2009)
Color and Field, 1890-1970, Albright-Knox Art Gallery, Buffalo (September 15 – November 1st) ; Dayton Art Institute, Dayton (November 20 – 10 January, 1971) ; Cleveland Museum of Art, Cleveland (February 4 – March 28, 1971)
30th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington D.C (February 24 – April 19)

Charles Pollock was born in 1902 in Denver, Colorado. The eldest of his siblings, he spent his childhood between Colorado, Wyoming, Arizona, and California. In 1922, he moved to Los Angeles, where he worked at the Los Angeles Times while studying art at the Otis Art Institute. It was during this period that he developed a strong interest in Mexican artists, particularly the muralists such as Orozco and Rivera. He left Los Angeles in 1926 to continue his studies in New York with Thomas Hart Benton at the Art Students…
Charles Pollock was born in 1902 in Denver, Colorado. The eldest of his siblings, he spent his childhood between Colorado, Wyoming, Arizona, and California. In 1922, he moved to Los Angeles, where he worked at the Los Angeles Times while studying art at the Otis Art Institute. It was during this period that he developed a strong interest in Mexican artists, particularly the muralists such as Orozco and Rivera. He left Los Angeles in 1926 to continue his studies in New York with Thomas Hart Benton at the Art Students League.
In 1935, he settled in Washington to work for the Resettlement Administration, a federal agency, and collaborated on Charles Seeger’s song-sheet project. Two years later, he left Washington for Detroit and became a political cartoonist for the United Automobile Workers union newspaper. From 1938 to 1942, he served as Supervisor of Murals and Graphic Arts for the Federal Art Project. After completing a mural commission for the University of Michigan, he joined the university’s Department of Fine Arts, where he taught printmaking, calligraphy, and graphic design for more than twenty years.
In 1945, he spent three months painting and drawing in the Arizona desert, a period during which he abandoned social realism and began his abstract work. He took two sabbaticals: the first in 1955 on the shores of Lake Chapala, and the second in 1962, when he traveled in Europe with Sylvia Winter, his future wife. In 1967, Pollock retired from teaching and moved with his family to New York, where he continued painting. In 1971, he relocated to Paris with his wife and his daughter Francesca, remaining there until his death in 1988.
Charles Pollock’s work reflects a continuous pictorial inquiry built on observation, rigor, and time. Initially influenced by calligraphy, he approached painting as a language constructed from line and color. His compositions rest on precise structures in which the balance between form and void, rhythm and silence, plays a central role. As he gradually moved away from social realism, he explored the abstract dimension of gesture and chromatic fields, favoring an analytical approach to the relationship between color and space. In his later years, he simplified his visual vocabulary, reducing elements to their essence to create a purified, almost meditative painting in which each mark becomes both sign and thought.
Charles Pollock – Un Américain à Paris, Galerie ETC, Paris (October 5 – November 30)
Charles Pollock- Un siècle américain, Galerie ETC, Paris (October 7 – December 17)
Charles Pollock, FRAC Auvergne, Clermont-Ferrand (May 20 – September 18)
Charles Pollock – Color Field 1967-70, Galerie ETC, Paris, France (October 8 – February 28, 2021)
Charles Pollock, Galerie ETC, Paris, France (October 10 – December 1)
Charles Pollock in the 1960s, Butler Institute of America Art, Youngstown (September 11 – November 20)
Charles Pollock. A retrospective, Collection Peggy Guggenheim, Venise (April 23 – September 14)
Charles Pollock Armory Show, ADAA, Parl Avenue Armory. Jason McCoy Inc., New York (February)
Paintings and drawings from the 50s, American Contemporary Art Gallery, Munich
The Chapala Series, 1955-1956, Jason McCoy Inc., New York (March 8 – April 21)
Charles Pollock. A retrospective, Ball State University Museum, Muncie (January 19 – March 9)
The Rome Series, Jason McCoy Inc., New York
Charles Pollock – Recent paintings, Dimock Gallery, Washington, D.C. (December 13 – January 11, 1985)
Gertrude Kasle Gallery, Detroit
Henri Gallery, Washington D.C.
Kresge Art Center, Michigan State University, East Lansing, Michigan, USA
Galeria Pogliani, Rome
Literature & Fine Arts Gallery, Michigan State College, East Lansing, Michigan
Circle Gallery, Detroit, Michigan (sous le nom de « Charles Pima »)
Ferargil Gallery, New York
On paper, Galerie ETC, Paris (March 19 – April 30)
Charles and Jackson Pollock, The Society of the Four Arts, Palm Beach (January 30 – March 28)
Charles Pollock. Modernism in the Making, MSU Broad Art Museum, East Lansing (August 21 – December 30)
Abstractions américaines, Espace d’art contemporain Fernet-Branca, Saint-Louis (June 2 – September 22)
Great Moderns. Peggy Guggenheim Collection, Venice Art of the Twentieth Century, Centro Cultural Palacio La Moneda, Santiago (October 31 – February 26, 2013)
Peggy Guggenheim and the New American Painting, Arca, Vercelli (November 21 – March 1st, 2009)
Color and Field, 1890-1970, Albright-Knox Art Gallery, Buffalo (September 15 – November 1st) ; Dayton Art Institute, Dayton (November 20 – 10 January, 1971) ; Cleveland Museum of Art, Cleveland (February 4 – March 28, 1971)
30th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington D.C (February 24 – April 19)