Mixed media on canvas 51 1/8 x 77 inch
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To mark the centenary of Judit Reigl's birth, Galerie Dina Vierny is pleased to present the exhibition Judit Reigl, Panta rhei, from September 22 to November 18, 2023. It will feature a selection of some fifteen works covering a large part of the artist's creative period, from 1954 to 2010.
"Panta rhei" is Judit Reigl's mantra. It is a formula attributed to the Greek philosopher Heraclitus of Ephesus. It literally means "all things flow", in the sense of "everything passes away". Another translation suggests "everything moves according to a certain rhythm", in reference to dance or the round. In her Déroulement series, which occupies a central place in her work, Reigl links the meanings of three titles she uses in three languages: "Folyamat" in Hungarian, meaning process / progression / flux, "déroulement" in French, referring to the unfolding roll of canvas, and "unfolding" in English, meaning to narrate, to disclose. For Reigl, this expression encapsulates the idea of a world in perpetual motion, which she has been trying to convey all her life through the natural sequence of her series.
In 2023, three museums are celebrating the centenary of Judit Reigl's birth by presenting an overview of eight decades of Reigl's enigmatic work: the Nationalgalerie in Berlin under the title "Center of Dominance", the Kiscell Museum ("Vol") and the Museum of Fine Arts ("Judit Reigl - Dance of Death"), both in Budapest. All these exhibitions reveal a life of ceaseless creation, the full extent of which is only now being recognized. As part of this international recognition of the Hungarian-born painter, Galerie Dina Vierny presents the exhibition Judit Reigl, Panta rhei, accompanied by a booklet featuring an essay by Janos Gat, curator of the exhibition and a great friend and specialist in the work of the artist who passed away in 2020.
"Big Bang and stardust; macrocosm and microcosm; creation and residue; singularity and multiplicity; divine and human - each of Reigl's paintings, just like the whole of his work and the big words used to describe them, all invoke the whole of creation: all extremes, all time and all at once. There are no rules other than those that govern the universe. The breadth and depth of the work are equally astonishing. The individual paintings, even stylistically, are almost impossible to define and classify. His paintings stretch into space; there is no gauge big enough to take their full measure"
(Extract from the essay "Unfolding Judit Reigl's series" by Janos Gat for the exhibition Judit Reigl, Panta rhei)
Déroulement
1979
Mixed media on canvas
51 1/8 x 77 inch
Hors
1996
Mixed media on canvas
63 x 61 inch
Écriture en masse
1958
Oil on canvas
31 1/2 x 45 1/8 inch
Volutes, torsades, colonnes, métal
1984-2010
Mixed media on canvas
19 3/4 x 33 1/2 inch
Écriture en masse
1965
Oil on canvas
45 1/4 x 57 7/8 inch
Guano
1958-60
Mixed techniques on canvas
11 3/4 x 18 7/8 inch
Pré-éclatement
1954
Ink on paper
8 1/4 x 11 1/8 inch
Expérience d'apesanteur
1965
Oil on canvas
45 1/8 x 34 5/8 inch
Guano
1958-61
Mixed media
12 1/4 x 17 3/4 inch
Centre de dominance
1958
Oil on canvas
65 x 66 7/8 inch
Déroulement
1975
Mixed media on canvas
36 1/4 x 46 1/8 inch
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Judit Reigl is a painter who was in turn surreal, abstract or figurative.
After arriving in France in 1950 after eight clandestine attempts to cross the Iron Curtain, Judit Reigl found Simon Hantaï, a fellow student at the Beaux Arts in Bu ...
To mark the centenary of Judit Reigl's birth, Galerie Dina Vierny is pleased to present the exhibition Judit Reigl, Panta rhei, from September 22 to November 18, 2023. It will feature a selection of some fifteen works covering a large part of the artist's creative period, from 1954 to 2010.
"Panta rhei" is Judit Reigl's mantra. It is a formula attributed to the Greek philosopher Heraclitus of Ephesus. It literally means "all things flow", in the sense of "everything passes away". Another translation suggests "everything moves according to a certain rhythm", in reference to dance or the round. In her Déroulement series, which occupies a central place in her work, Reigl links the meanings of three titles she uses in three languages: "Folyamat" in Hungarian, meaning process / progression / flux, "déroulement" in French, referring to the unfolding roll of canvas, and "unfolding" in English, meaning to narrate, to disclose. For Reigl, this expression encapsulates the idea of a world in perpetual motion, which she has been trying to convey all her life through the natural sequence of her series.
In 2023, three museums are celebrating the centenary of Judit Reigl's birth by presenting an overview of eight decades of Reigl's enigmatic work: the Nationalgalerie in Berlin under the title "Center of Dominance", the Kiscell Museum ("Vol") and the Museum of Fine Arts ("Judit Reigl - Dance of Death"), both in Budapest. All these exhibitions reveal a life of ceaseless creation, the full extent of which is only now being recognized. As part of this international recognition of the Hungarian-born painter, Galerie Dina Vierny presents the exhibition Judit Reigl, Panta rhei, accompanied by a booklet featuring an essay by Janos Gat, curator of the exhibition and a great friend and specialist in the work of the artist who passed away in 2020.
"Big Bang and stardust; macrocosm and microcosm; creation and residue; singularity and multiplicity; divine and human - each of Reigl's paintings, just like the whole of his work and the big words used to describe them, all invoke the whole of creation: all extremes, all time and all at once. There are no rules other than those that govern the universe. The breadth and depth of the work are equally astonishing. The individual paintings, even stylistically, are almost impossible to define and classify. His paintings stretch into space; there is no gauge big enough to take their full measure"
(Extract from the essay "Unfolding Judit Reigl's series" by Janos Gat for the exhibition Judit Reigl, Panta rhei)
1979
Déroulement
1979
Mixed media on canvas
51 1/8 x 77 inch
1996
Hors
1996
Mixed media on canvas
63 x 61 inch
1958
Écriture en masse
1958
Oil on canvas
31 1/2 x 45 1/8 inch
1984-2010
Volutes, torsades, colonnes, métal
1984-2010
Mixed media on canvas
19 3/4 x 33 1/2 inch
1965
Écriture en masse
1965
Oil on canvas
45 1/4 x 57 7/8 inch
1958-60
Guano
1958-60
Mixed techniques on canvas
11 3/4 x 18 7/8 inch
1954
Pré-éclatement
1954
Ink on paper
8 1/4 x 11 1/8 inch
1965
Expérience d'apesanteur
1965
Oil on canvas
45 1/8 x 34 5/8 inch
1958-61
Guano
1958-61
Mixed media
12 1/4 x 17 3/4 inch
1958
Centre de dominance
1958
Oil on canvas
65 x 66 7/8 inch
1975
Déroulement
1975
Mixed media on canvas
36 1/4 x 46 1/8 inch
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Judit Reigl is a painter who was in turn surreal, abstract or figurative.
After arriving in France in 1950 after eight clandestine attempts to cross the Iron Curtain, Judit Reigl found Simon Hantaï, a fellow student at the Beaux Arts in Budapest, in Paris. The latter introduced her to André Breton in 1954 who, seduced by her surrealist paintings, invited her to exhibit at L’Étoile scellée.
She then moved away from surrealism...
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Galerie Dina Vierny
36 rue Jacob 75006 Paris
Open from Tuesday to Saturday from 10 a.m. to 7 p.m.
Galerie Dina Vierny
36 rue Jacob 75006 Paris
Open from Tuesday to Saturday from 10 a.m. to 7 p.m.
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