Trois oiseaux
1931
Oil on canvas
(7 7/8 x 10 1/4 in.
Oiseaux dans les branches
1942
Oil on canvas
44 7/8 x 41 3/4 in.
Chez Dina Vierny
1999
Inkjet print
31 1/2 x 23 5/8 in.
Chez Dina Vierny
1987
Inkjet print
11 3/4 x 15 3/4 in.
Le pêcheur solitaire
1925
Oil on canvas
21 1/4 x 28 3/8 in
Architecture III
1963
Alabaster
6 1/4 x 8 1/4 x 6 1/2 in.
Composition
1967
White marble
12 3/4 x 9 7/8 x 8 1/4 in.
Lampe de bureau "SCINTILLA"
1984
Black lacquered metal
6 1/2 x 11 3/8 in.
Tabouret Curule 'MT1015' en poirier
c. 1927
Wood
16 1/2 x 20 1/2 x 13 3/8 in.
Le joueur de pipeau
1948
Bronze
10 5/8 x 7 5/8 x 7 1/4 in
Femme à la jupe
1995
Bronze
15 1/4 x 2 3/4 x 3 3/4 in
Ciel
undated
Print on silk paper enhanced with colored pencils
16 1/2 x 23 3/8 in
Anubis
2020
Gelatin silver prin
19 1/4 x 25 1/4 in.
Chair 01
2023
Metal, "automotive paint," black methacrylate
13 1/4 x 5 3/8 x 7 in.
Console ou Bureau «SYNTHESE » Edition : CMB
1984
Metal frame, glossy 'car painting' (100 gloss), inlays and feet in contrasting glossy black methacrylate
Femme Accoudée
1926
Ink on paper
22 1/2 x 17 1/2 in.
Étude
1969
Acrylic on canvas
17 3/4 x 14 1/8 in.)
Portrait (d'après Adriaen Brouwer)
2023
Oil on canvas
8 5/8 x 6 1/4 in.
Portrait (d'après Adriaen Brouwer)
2023
Oil on canvas
8 5/8 x 6 1/4 in.
Marguerites sur fond rouge foncé
c. 1920
Oil and Ripolin and mixed media on canvas
7 1/2 x 10 5/8 in
Baigneuse debout ou Femme au chignon (sans draperie)
1900
Bronze
Height: 26 in.
Étude pour Méditerranée
1904-05
Bronze
6 3/4 x 5 1/2 x 4 3/4 in.
Phryné
1910
Bronze
16 1/8 x 6 3/4 x 3 1/8 in.
Étude pour Cézanne
1912
Terracotta
7 3/8 x 5 1/2 x 2 1/8 in.
Baigneuse accroupie ou Femme à l'épine
1920
Bronze
Height: 6 3/4 in.
Grande femme assise ou Femme assise à la draperie
1920
Bronze
Height: 12 1/8 in.
Femme au crabe
1930
Bronze
6 1/2 x 5 3/4 x 4 7/8 in.
Femme accroupie (socle amovible)
1930
Bronze
6 1/2 x 9 1/8 x 4 3/4 in.
La Pensée
1930
Bronze
Height: 11 1/8 in.
Le jeune homme
1930
Bronze
12 1/4 x 4 1/8 x 2 3/4 in.
Torse d'une nymphe
1931
Bronze
Heigh 51 5/8 in.
La France (premier état)
1936
Bronze
23 5/8 x 6 3/4 x 4 3/4 in.
Nézy à la robe longue
1940
Charcoal on pape
22 x 18 3/4 in.
Dina avec les sandales en raphia
1941
Indian ink on paper
7 7/8 x 10 5/8 in.
Dina avec les sandales en raphia
1941
Indian ink on paper
7 1/2 x 9 7/8 in.
Portrait de Lydia
1945
Pencil on paper
20 1/2 x 15 3/4 in.
Ply Chair Closed, Edition VITRA
1989
Plywood, birch veneer
33 1/8 x 15 3/8 x 18 1/8 in.
Untitled (Chat)
1928-42
Pencil and ink on paper
24 1/8 x 18 1/2 in.
Grand tabouret ou ottoman en acajou et tissu en crin de cheval
c. 1940
Mahogany and horsehair fabric
17 3/4 x 20 1/2 x 16 1/2 in.
Composition (noir, orange, jaune, blanc)
1958
Gouache on paper
18 1/8 x 24 in.
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Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Serge Poliakoff is a painter the major figures of the École de Paris at the beginning of the year 1900 in Moscow. This artisit is the thirteenth of fourteen children. His father is a supplier of horses for the Russian army and owns a racehorse st ...
Son of a boatman, Camille Bombois went through various professions, such as farm boy, circus wrestler or bobinier, before devoting himself fully to painting.
He moved to Paris in 1907 and, on his return from the war of 1914 – 1918, decide ...
André Bauchant spent his whole life in his native land of Touraine. He left school at 14 to work the land on the family farm. He later became a breeder, tree merchant and nurseryman, which gave him the nickname of «gardener painter».
Dur ...
Aristide Maillol was one of the most famous sculptors of his day. His work, based on ample forms developed from the female nude but simplified to the extreme of a pure outline, is silent and represents a true artistic revolution that would lead to ...
Born in Paris into a family of Italian shoemakers, Emile Gilioli was a leading figure in post-war abstract sculpture. He spent his childhood in Italy where he learned the art of blacksmithing before joining his father in Nice to train as a sculpto ...
Judit Reigl is a painter who was in turn surreal, abstract or figurative.
After arriving in France in 1950 after eight clandestine attempts to cross the Iron Curtain, Judit Reigl found Simon Hantaï, a fellow student at the Beaux Arts in Bu ...
Born in 1095 in Angoulême, Robert Couturier studied lithography in Paris and quickly caught the attention of Aristide Maillol in 1928. Maillol was struck by the “mal-foutu” (poorly-made) aspect of Couturier’s sculpture: ...
Séraphine Louis, known as ‘de Senlis’, came from a modest family. Orphaned at the age of seven, she worked as a domestic from 1882 to 1902 at the Convent of Charity of Providence in Clermont-sur-Oise. She retained a strong religious influence ...
1931
Trois oiseaux
1931
Oil on canvas
(7 7/8 x 10 1/4 in.
1942
Oiseaux dans les branches
1942
Oil on canvas
44 7/8 x 41 3/4 in.
1999
Chez Dina Vierny
1999
Inkjet print
31 1/2 x 23 5/8 in.
1987
Chez Dina Vierny
1987
Inkjet print
11 3/4 x 15 3/4 in.
1925
Le pêcheur solitaire
1925
Oil on canvas
21 1/4 x 28 3/8 in
1963
Architecture III
1963
Alabaster
6 1/4 x 8 1/4 x 6 1/2 in.
1967
Composition
1967
White marble
12 3/4 x 9 7/8 x 8 1/4 in.
1984
Lampe de bureau "SCINTILLA"
1984
Black lacquered metal
6 1/2 x 11 3/8 in.
c. 1927
Tabouret Curule 'MT1015' en poirier
c. 1927
Wood
16 1/2 x 20 1/2 x 13 3/8 in.
1948
Le joueur de pipeau
1948
Bronze
10 5/8 x 7 5/8 x 7 1/4 in
1995
Femme à la jupe
1995
Bronze
15 1/4 x 2 3/4 x 3 3/4 in
undated
Ciel
undated
Print on silk paper enhanced with colored pencils
16 1/2 x 23 3/8 in
2020
Anubis
2020
Gelatin silver prin
19 1/4 x 25 1/4 in.
2023
Chair 01
2023
Metal, "automotive paint," black methacrylate
13 1/4 x 5 3/8 x 7 in.
1984
Console ou Bureau «SYNTHESE » Edition : CMB
1984
Metal frame, glossy 'car painting' (100 gloss), inlays and feet in contrasting glossy black methacrylate
1926
Femme Accoudée
1926
Ink on paper
22 1/2 x 17 1/2 in.
1969
Étude
1969
Acrylic on canvas
17 3/4 x 14 1/8 in.)
2023
Portrait (d'après Adriaen Brouwer)
2023
Oil on canvas
8 5/8 x 6 1/4 in.
2023
Portrait (d'après Adriaen Brouwer)
2023
Oil on canvas
8 5/8 x 6 1/4 in.
c. 1920
Marguerites sur fond rouge foncé
c. 1920
Oil and Ripolin and mixed media on canvas
7 1/2 x 10 5/8 in
1900
Baigneuse debout ou Femme au chignon (sans draperie)
1900
Bronze
Height: 26 in.
1904-05
Étude pour Méditerranée
1904-05
Bronze
6 3/4 x 5 1/2 x 4 3/4 in.
1910
Phryné
1910
Bronze
16 1/8 x 6 3/4 x 3 1/8 in.
1912
Étude pour Cézanne
1912
Terracotta
7 3/8 x 5 1/2 x 2 1/8 in.
1920
Baigneuse accroupie ou Femme à l'épine
1920
Bronze
Height: 6 3/4 in.
1920
Grande femme assise ou Femme assise à la draperie
1920
Bronze
Height: 12 1/8 in.
1930
Femme au crabe
1930
Bronze
6 1/2 x 5 3/4 x 4 7/8 in.
1930
Femme accroupie (socle amovible)
1930
Bronze
6 1/2 x 9 1/8 x 4 3/4 in.
1930
La Pensée
1930
Bronze
Height: 11 1/8 in.
1930
Le jeune homme
1930
Bronze
12 1/4 x 4 1/8 x 2 3/4 in.
1931
Torse d'une nymphe
1931
Bronze
Heigh 51 5/8 in.
1936
La France (premier état)
1936
Bronze
23 5/8 x 6 3/4 x 4 3/4 in.
1940
Nézy à la robe longue
1940
Charcoal on pape
22 x 18 3/4 in.
1941
Dina avec les sandales en raphia
1941
Indian ink on paper
7 7/8 x 10 5/8 in.
1941
Dina avec les sandales en raphia
1941
Indian ink on paper
7 1/2 x 9 7/8 in.
1945
Portrait de Lydia
1945
Pencil on paper
20 1/2 x 15 3/4 in.
1989
Ply Chair Closed, Edition VITRA
1989
Plywood, birch veneer
33 1/8 x 15 3/8 x 18 1/8 in.
1928-42
Untitled (Chat)
1928-42
Pencil and ink on paper
24 1/8 x 18 1/2 in.
c. 1940
Grand tabouret ou ottoman en acajou et tissu en crin de cheval
c. 1940
Mahogany and horsehair fabric
17 3/4 x 20 1/2 x 16 1/2 in.
1958
Composition (noir, orange, jaune, blanc)
1958
Gouache on paper
18 1/8 x 24 in.
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvelEt ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
Aped quas parum qui beaquae preped eum volupitae odis re culpa volor autes nesciis am inus veliquibus. Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel Rum fuga. Et ernam, que minvel
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